Portrait of a Lady on Fire

Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/paint-me-like-one-of-your-french-girls-portrait-of-a-lady-on-fire-review<a> Celine Sciamma’s fourth feature film, _Portrait of a Lady on Fire_, is a triumph. Few romance movies capture the totality of love, loss, and remembrance in the way Sciamma does in this film. The story is simple: Marianne (Noémie Merlant) has been hired to paint a portrait of Heloise (Adèle Haenel) to be sent to the Milanese nobleman she is to marry. He will n...

Undoubtedly worth a watch; who knew portraits were the Tinder of the 1700s.

Céline Sciamma, writer and director of “Portrait of a Lady on Fire,” calls her period film a “manifesto on the male gaze.” This is the most accurate, elegant description of her story of a romance between two French women in the late 1700s. This is an impeccably detailed, beautifully acted, refined drama with a strong feminist angle that’s as stirring as it is thought-provoking. Marianne (Noémie Merlant) is commissioned to paint the wedding portrait of Héloïse (Adèle Haenel), a young woman who has just left the con...

The best LGBT movie ever. And that's on period luv.

As the credits began to roll on ‘Portrait of a Lady on Fire’, I was practically incapable of moving or speaking. Every time I didn’t think the film could possibly get any better, Céline Sciamma elevated it to even greater, more incomprehensible heights, culminating in one of the most extraordinary moments in 21st-century cinema. This is a rare and precious film, breathtaking in its craft and intensely honest in its passions. This is a film that aches, that longs, that dances in ecstasy and raises its hands to the...