Backrooms

humm well. The epilouge spoils any surprise of what the backrooms is, the therapist patient thing is kind of naff. its unclear who the main character is. I think they tied the Clark character too much to the backrooms, where it should have been its own character. some unsettling moments, but overall the writing let it down. some nice creppy surreal imagery, but the imposed story of Clark took over. Would have been better as pure horror atmosphere, where the mysteries of the backrooms reveal themselves as the chara...

This is genuinely unsettling. It's a lovely premise and it is well executed. It is creepy and unsettling and weird. It's the things you want out of this kind of horror and this movie pulls it off well. The cast is superb, the direction is great, the use of this concept and its associated effects is executed flawlessly. For what this is, it is just great.

One of the few Backrooms adaptations that truly understands what made the original concept so fascinating. Instead of relying solely on monsters and jump scares, it embraces the liminal spaces, isolation, and psychological tension that defined the Backrooms from the beginning. It easily stands out as one of the best psychological horror films of the year.

I'll start by saying I'm not a hater; I wanted to enjoy it, I really did. But I think some scriptwriting decisions were made that really hurt the final result. I'll begin with the scene where they discover the backrooms. While the opening scene is interesting, the scene where the protagonist finds them is not. Having a clear exit point significantly reduces the tension for him. He controls the space, he's oriented, and he doesn't seem lost or confused by having to take paths he wouldn't choose if fleeing the creat...

Hmmm. Perhaps I just wasn't in the mood, but I really didn't get what the fuss was about with this. "Clark" (Chiwitel Ejiofor) is a recently divorced man who has big dreams but who is reduced to running (and sleeping in) his cheap and cheerful "Ottoman Empire" furniture emporium in small town America. The electrics in his store start playing up and upon investigation he is intrigued by a glimmer of light that appears to be emenating from beneath the basement wall! Investigating, he discovers that there is a myster...

Well, that was interesting. This is a well made horror-drama released by A24 that, to my surprise, nabbed $81 million in its opening weekend. Both Chiwetel Ejiofor and Renate Reinsve give solid performances and while a few moments lost my attention, there are few great scenes particularly towards the end. Don't know where the hype came from but good for this (and Obsession) for capturing the mainstream audiences. **3.75/5**